My most ‘acclaimed’ photo is a good example of the somewhat fickle nature of aesthetic opinion. And furthering the fickleness of this photo, I wouldn’t have captured it at all if Elizabeth hadn’t seen the scene first, taking her own version on the balcony of our Tokyo hotel during a colorful sunset evening last June.
My first success with it was a 3rd place win in the Around the Cities round of the Amateur Photographer of the Year competition, a contest run by the popular UK magazine Amateur Photographer which draws over a thousand entries a month. Foreshadowing the uneven path this image would take, the judges were almost apologetic in explaining that it was the best of the pictures that met the theme, so they decided against choosing it for first or second place (click on the above image to read the caption, and figure out for yourself why a shack in the woods and a deserted bridge would place in a contest of this theme).
Belonging to 3 different camera clubs (do not ask), this image ended up in 6 different club competitions. It didn’t win anything 2 of the times. Entered in a theme competition ‘Architecture’, it won an Honorable Mention, meaning it was in the top 25% of entries that night, also qualifying it for the end of the year competition. As shown above, at the end of year competition it was awarded the blue ribbon for digital projected image, and Best In Show.
It had placed 2nd in the other club in a monthly competition for the theme ‘A Different Point of View’ , finally ending up with an Honorable Mention at that club’s end of year competition. I don’t remember now if it was one of the judges who didn’t give it any ribbon, but one of the four monthly competition judges complained that the rectangles in the center of the image were offset, and wasn’t that a shame. It should be clear at this point that different judges do have different points of view.
Meanwhile, the Royal Photographic Society, which I had joined in the UK and continue to support, is always looking for ways to encourage their non-UK members. It organized an exhibit from the ‘Overseas Chapters’. The US chapter selected my image, making it one of approximately 100 images that spent a month being exhibited at Fenton House, the Royal Photographic Society’s headquarters in Bath. This exhibit is also scheduled to be in London at the Royal Photographic Society Cave from the 11th to 31st of July, so if you are in London this summer, you can see it.
The picture also generated some attention on a photo critique site where I spend some time, called Photosig. Ending up as my second highest scoring image.
In one of the club competitions that didn’t go so well, the picture ended up displayed on its side (don’t ask). I thought it did have some potential in alternative orientation, but the lacy ironwork seemed unbalanced, so I Photoshopped it, copying the top half, pasting and flipping it, positioning it over the bottom half of the photo, and then rotating it 90 degrees. I actually like the result a lot. It has a degree of surreality that I think is interesting. And it fixed that judge’s concern about non-symmetric windows. Several other people like it too, and the surreal version of Tokyo Balconies ended up as my 3rd highest scoring image on Photosig, just behind the non-manipulated version.
For those who are following my series on before & after photos, the non-manipulated version of this image is one that spent no time in Photoshop. The original camera RAW image was processed in Lightroom for global exposure, contrast, and color saturation. White Balance was left As Shot.. The color turns out to be a very important aspect of this image. I experimented with black & white, but it just turns out blah. This is essentially what we saw off our hotel balcony at 6:48 PM
ISO 800, f/18, 1/20 sec (there’s a lot to be said for both steady hands and image stabilization)